居处丰饶之境，人生究竟会深陷于浅薄的现实享乐?抑是从生活满足之余触发心灵深层的探索冥思?本案企图从最基础的生息根源-「家」来着手，带引置身者从跨越时空的复杂感官体验中激发自问与想像。
空间企图在有限的坪数内建构宏观的生活格局，将厅房简化后，整合成双厅、主卧套房、多用途书房态势，藉由宽敞的厅房显现优沃的空间享有。设计师企图在本案营构跨时空的对话可能，从大众熟悉的既存风格中抽离出代表性元素，铺排于生活居所内，玩弄现代与复古的对话、都会奢华风与乡村风的冲突、古典与科技的反差，经由表征元素的冲击、对比引发感官刺激，揭示各个时期、风格特征浓缩于一室的旖旎风光，并为居住者勾勒更辽阔瑰丽的遐想。
玄关区，盛行于50、60年代的弧形曲线，成为引人入室的过渡动线，当步伐从玄关旋入厅区，豁然开朗的竟是一幕现代都会场景。虽然全室线条、选材相当素简，却又让客、餐厅的主墙面运用贴砖语汇作延伸，引出一个耐人寻味的朴拙村居韵味，在迎面而立的墙体各自刻划现代与怀旧的注解，就此破除访客原初对空间存有的流利现代印象。造型华丽古典的家饰，披穿着灰、白、黑等色系的外衣，与低调铄金的锈铜砖地坪一同诠释既华丽也低调的个性。细腻古典的家饰与当代科技家电设备并容下，成了古往今昔生活器物的演变缩影。
考量置身多元风格交织的空间中，因感官经历冲突、矛盾的洗礼难免衍生心绪浮动，设计师希望藉由从容的节奏作为邀引，将全室定调在慵懒悠缓的氛围中，运用暖黄的照明统整调性，选用可弹性移动的灯串、艳红家具、银色家饰，带领居住者从慵懒时尚角度体验多样风格所织构的丰华面貌。
采访」刘蕙苹
Beautyafterconflictintimeandspace
Twoquestionshavebeenaskedfrequently.Doesmaterialcontentrevealthetruemeaningoflife?Or,doesmanhaveachancetoexplorehissoulinamoremateriallyrichworld?Thedevelopmentofthisworkisrooteddeepinanideaof“home”,andintendstoanswerquestionsabove.
Eventhoughthisapartmentisofaverylimitedsize,thelayoutbuildsasenseofcomfortablelivingforitsdwellers.Afterasimpletransformationoftheexistingconditionthedesignerchangeditfromanunbearableconditionintoacozyembracementoflife.Doublerooms,masterbedroomandreadingroomareseennotasatypicalbutasalayoutforpeoplewhocherishnotmaterialsbutritualsoflife.Timeandspacearemutuallydependent;andsometimesonemayfindcontradictorystyles.Thecontrastofstylesuchaslatemodernismconfrontingnostalgiafurnishingsseemstoofferariddletothosewholivehereandletthemponderthoseuneasycombinationsofstyle.Forthedesigner,lifeisnotjustaclich?offixedpatternsbutafantasythatcomesouttochallengeorseekreconciliationwitheverymomentoflife.
Thelobbyisdominatedbyacurvingpanelwhichleadsvisuallyandphysicallytothemainspace.Behindthislobby,thelivingroomdisplaysadramaticposture.Thisroomhasabackdropofabigpartitioncoveredwithtiles;thisnostalgicpatterndeliversthesenseofafireplaceincountryhousewhileinfrontmodernfurniturestands.Thiskindofcontrariandesignisseeneverywhereinthisapartment.Rusticcopperfloortilesdirectlyconfrontclassicaldrapery;andclassichomefurnishingobjectssurroundmodernappliances.Thiscontradictionofstylesstandsasfootnotetoexplainthechangingstyleinhomeliving.
Thedesignerknowsthosevisualimpressionofcontradictorystylemaypostaheavypsychologicalburdentodwellers.Asynchronizingefforthasbeenexertedtoreducethisconflict.Lightinginanambertoneplaysacrucialroletoreconcilethosegaps,whilesurrealdreamlikecolorfurniturepiecesprovideasoothingmelodythatmaycalmanyharshmindindailylife.
设计」云邑室内设计/李中霖
参与设计」江晓慈
摄影者」许时嘉
空间性质」住宅
坐落位置」台北市仁爱路
主要材料」白砖、锈铜砖、不锈钢、基础木作
面积」40坪
设计时间」2005年5月至7月
施工时间」2005年7月至11月
Designer」Yun-YiInteriorDesignInc./ChunLinLee
Participant」S.T.Chiang
Photographer」S.C.Su
Category」Taipei
Material」whitetile,rusticcoppertile,stainless,woodworks
Size」40ping
Designperiod」May–July2005
Constructionperiod」July–November2005
